I live in the Los Angeles area and am fortunate to be able to take advantage of its plethora of cultural spaces and places. I don't go as often as I'd like to, but when the opening of the Lucas Museum of Narrative Art was all over my feed and we had friends coming to stay for a couple of days I thought it was the perfect opportunity.
I love museums, especially art museums. Okay, maybe I only appreciate other museums, but ADORE displays of art. Inevitably I find myself standing teary eyed or fully crying in front of a piece of art that someone has created that has torn my heart open. Especially one that tells a story. The piece that did this first for me in the Lucas was unexpected because before going I didn't do much research. I wanted to go in with an my mind a blank canvas (pun intended).
Of course I knew that there would be at least a little Star Wars stuff, and I left that section for later. When we walked in the gate I was immediately in awe of the architecture. Cool is too simple a word, but it was soooo coooool! Swooping and open and smooth all at once. When we entered the galleries, the pieces were not immediately visible. There were silver blocks of letters on curved walls reading the artist's name or the genre - a wonderful and unique way to organize the collections - and as you rounded the curve the pieces appeared. It felt like small rooms connected by partitions but in a large open space with tall ceilings.
As I entered one section and turned to look at a painting that had been hung on a wall all its own, I felt a jolt. I couldn't believe it was the original. I'd seen it so many times in print or online that I knew it well, but seeing it in person, being able to take in the sharp detail and the feelings - oh the feelings! - that were so very evident in this as in all of his work was an experience I will never forget. And the narrative. Narrative art tells a story, and this one still hits. The set of her face, the stance of the men walking with her. That word, that awful word, scrawled across the wall with a tomato splat that looked like it was so fresh I could wipe the juice away. As relevant today as it was sixty two years ago.
The second time I felt tears welling up was as I stood on the grounds in the sculpture garden looking around at all of the people. The museum was closing so those inside had moved outside to the gardens that had been created above the underground parking garages. It was a bright, noisy, colorful display of the variety of humans that inhabit my city. All ages, sizes, abilities, shades, all stopping to be awed by art that spoke to each person differently. What a wonder and privilege to live in a place, in a country, where so many different people can come together over their shared love of art, and their desire to share that wonder with others.
I found myself listening in to comments and conversations as I stood or sat enjoying the scene. One couple was wondering what character was portrayed in a fantasy scene with a creature and woman clashing, and a fan standing close by chimed in to tell them the series and episode and battle it depicted.
My mind still goes through snapshots of the gallery, the pieces, and the people, but mainly the feelings of taking it all in. We were all just people, enjoying beauty and appreciating the talent of these artists. Thank you for the gift, George Lucas and Mellody Hobson.

